It is soothingly melodious in romantic scenes while explosive in war scenes. The background score is the 'cherries on the cake'. Applause! The cinematography is par excellence. Every color that was picked for the costumes reflected a mood in addition to visual appeal. Yes, they have rendered their imagination into a visual bonanza indeed. The costumes, before describing, I would love to salute Anju Modi (costume designer) and Sanjay's vision of the past. The sets and art direction are so well crafted, huge and super grand. From the very opening credits, you know that you are going to travel into a divine universe unraveling the 500 years ago's history (the 1700's). Each and every frames are picture-perfect shots. And that can be large attributed to the visual aesthetics. Enthralling from beginning to end, the movie doesn't contain a single boring moment which is a huge plus point for its genre which can often be cumbersome and boring. The Story, Overview and Music: Sanjay Leela Bhansali is back with his 12 years old dream he nurtured like a baby titled as 'Bajirao Mastani', which is Bollywood's magnum opus and a reply to Tollywood's Bahubaali.

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